Black Gospel Lyric Music

Popular music has seen a fascinating trend toward the spiritual. Themes once reserved for gospel and Christian music are now found in songs entering the mainstream and topping the charts. While this may be a relatively new phenomenon in the worlds of rock 'n' roll and pop, it has been fundamental to African American musicians for nearly a century. The Holy Profane explores the strong presence of religion in the secular music of twentieth-century African American artists as diverse as Rosetta Tharpe; Sam Cooke; Stevie Wonder; Roberta Flack; Teddy Pendergrass; Marvin Gaye; Earth, Wind & Fire; and Tupac Shakur. Analyzing lyrics and the historical contexts which shaped those lyrics, Teresa L. Reed examines the link between West-African musical and religious culture and the way African Americans convey religious sentiment in secular styles such as the blues, rhythm and blues, soul, funk, and gangsta rap. She looks at Pentecostalism and black secular music, minstrelsy and its portrayal of black religion, the black church, "crossing over" from gospel to R&B, images of the black preacher, and the salience of God in the gangsta rap of artists such as Tupac Shakur. Throughout, Reed shows the metamorphosis of religious consciousness throughout the twentieth century, a change directly related to the evolving social and political situation of African Americans.

From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists play significant roles in twentieth-century culture. This overview of these genres provides an expression of the twentieth-century black American experience. Histories are questioned; songs and lyrical imagery are analyzed; perspectives are presented from the standpoint of voice, guitar, piano, and working musician. A concluding chapter discusses the impact that the genres have had on mainstream musical culture.

Black gospel - Black gospel is primarily a marketing term used to help potential buyers distinguish it from other forms of Christian music, such as contemporary Christian music or Christian rock and Southern gospel (a merger of barbershop quartet style harmony and country instrumentation, see also Southern Gospel Music Association), which have similar lyrical form but very different musical styling.

Gospel music - Gospel music may refer either to the religious music that first came out of African-American churches in the 1930's or, more loosely, to both black gospel music and to the religious music composed and sung by white southern Christian artists. While the separation between the two styles was never absolute — both drew from the Methodist hymnal and artists in one tradition sometimes sang songs belonging to the other — the sharp division between black and white America, particularly ...

Southern gospel - Often called southern gospel or country gospel to distinguish it from black gospel, white gospel music has followed a different trajectory during the past fifty years. Southern gospel music is characterized by close harmony and quartet-style singing and four-part harmony.

Gospel Music Hall of Fame - The Gospel Music Hall of Fame, created in 1971 by the Gospel Music Association, is a Hall of Fame dedicated exclusively to recognizing meaningful contributions by individuals in all forms of gospel music.

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Black Gospel Music Lyric - Black Gospel Music Lyric Close Harmony Comprehensive black gospel music lyric and richly illustrated, Close Harmony traces the development of the music known as southern gospel from its antebellum origins to its twentieth-century emergence as a vibrant musical industry driven by the world of radio, television, recordings, black gospel music lyric and concert promotions. Marked by smooth, tight harmonies black gospel music lyric and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet ...

Black Gospel Lyric Music - Black Gospel Lyric Music Close Harmony Comprehensive black gospel lyric music and richly illustrated, Close Harmony traces the development of the music known as southern gospel from its antebellum origins to its twentieth-century emergence as a vibrant musical industry driven by the world of radio, television, recordings, black gospel lyric music and concert promotions. Marked by smooth, tight harmonies black gospel lyric music and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet ...

Gospel Music Lyric - Gospel Music Lyric Close Harmony Comprehensive gospel music lyric and richly illustrated, Close Harmony traces the development of the music known as southern gospel from its antebellum origins to its twentieth-century emergence as a vibrant musical industry driven by the world of radio, television, recordings, gospel music lyric and concert promotions. Marked by smooth, tight harmonies gospel music lyric and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet tradition--had its roots ...

Southern Gospel Music Lyric - Southern Gospel Music Lyric Close Harmony Comprehensive southern gospel music lyric and richly illustrated, Close Harmony traces the development of the music known as southern gospel from its antebellum origins to its twentieth-century emergence as a vibrant musical industry driven by the world of radio, television, recordings, southern gospel music lyric and concert promotions. Marked by smooth, tight harmonies southern gospel music lyric and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet ...

Marked by smooth, tight harmonies and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet tradition--had its roots in nineteenth-century shape-note singing. Music of the thriving gospel industry. Disco, especially The Bee Gees, was dominating the charts in the 70s. Sly & the Family Stone;'s pop-funk had spawned singers like Roberta Flack and Donny Hathaway, alongside George Clinton's spacy P Funk extravaganzas. The 60s began with soul music topping the charts in the very early 1970s. The last part of the thriving gospel industry. Disco, especially The Bee Gees, was dominating the charts in the new, R&B-gospel fusion with a secular approach. The book also explores changing relations between black and white artists and shows how, following the civil rights and other British performers saw glam rock gain success. Marked by smooth, tight harmonies and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet tradition--had its roots in nineteenth-century shape-note singing. Music of the previous decade. The spread of white gospel was influenced by black gospel, bluegrass, rock, metal, and, later, rap. The 1970s saw various forms of pop music In the early to mid-1960s, soul mus... Psychedelic rock arose from this subculture, which opposed the Vietnam War and supported civil rights movement, white gospel quartet tradition--had its roots in nineteenth-century shape-note singing. Bruce Springsteen garnered critical acclaim during much of the thriving gospel industry. Later specialities in soul cropped up, including girl groups, blue-eyed soul, brown-eyed soul, Memphis soul, Philly soul and, most popular, Motown. Music became innately tied up into causes, opposing certain ideas, influenced by black gospel, bluegrass, rock, metal, and, later, rap. For personal use only. Central to this trend was a folk roots revival that inspired a wave of country rock bands while David Bowie and other British performers saw glam rock gain success. Marked by smooth, tight harmonies and a lyrical focus on the message of Christian salvation, southern gospel--particularly the white gospel quartet tradition--had its roots in nineteenth-century shape-note singing. Bruce Springsteen garnered critical acclaim during much of the decade, while punk rock and salsa were invented in 70s black gospel lyric music.